English Piano
Lessons in Berlin.
English Piano
Lessons in Berlin.
Hello! My name is Chris Lloyd, and I am an Australian Concert Pianist and teacher. From 2012-2016, I was based in U.K., where I obtained a Master of Music from the Royal Academy of Music, London, and have been living and working in Berlin since 2017.
I have been teaching piano and theory for nineteen years - in schools, stores, masterclasses, and privately - and utilise a method combining various classical techniques. My teaching emphasises enjoyment, self-empowerment, and solid technical/musical foundation.
I teach from a classical music starting point. My method includes fundamental skills such as scales, harmonic knowledge, and reading ability, which allows students to both understand what they are doing, and why it is important. I have devised this method from a combination of the English, American, and Russian schools, whilst including a fair bit of personal experience into the mix. For more information on this method, please click the blog link above.
I teach exclusively at your home, or am happy to also to work from my studio in Kreuzberg. Please scroll further down for references and fee information.
My fees are based on industry standard, and are representive of the quality of teaching I aim to represent.
Fees can be paid upfront weekly, or at the end of each calendar month upon invoice. Payment methods accepted include cash, bank transfer, and PayPal.
Private Lessons (incl. travel in Zone AB*):
1hr: 78€
45 mins: 56€
30 mins: 44€All fees are inclusive of tax, travel, and any additional expenses incurred for lessons - there are no hidden fees or costs (outside of piano books every year or two).
Master of Music (Concert Project)
Bachelor of Music, First Class Honours
There are a lot of teachers out there with different skillsets, and choosing one that matches you or your child’s specific needs and learning methods is integral to getting the most out of your lessons.
Over 32 years playing and 20 years teaching, I can confidently say that I understand the complexities of not only playing piano at a professional level, but the vagaries and challenges that accompany the pedagogical aspect. I have an empathetic approach that enables me to utilise my own experiences and struggles, which helps me understand and combat those the student encounters.
Every student is completely different: with different skills and abilities, learning styles, comprehension of information (e.g. if their brains work better from an artistically intuitive or theoretical starting point), which communication they thrive off (does the student respond better to being challenged, or require confidence boosting?), and understanding the fine balance of pressure and support.
Weekly lessons, building skillsets that grow in complexity across the year. Goals-driven, incentivised by success, and customised for each student.
Each teaching course is uniquely tailored around the individual student; utilising their learning strengths - whether that’s theoretical, aural based, leaning towards improvisation and composition, or learning core repertoire; if it’s creativity or rules based etc. For me, it requires being extremely attentive, and choosing specific words and tone of voice that encourages the best response from each individual student.
My lessons focus on developing a core set of basic principles in music-making, by developing the ability to read and understand music notation primarily, as well as strong foundational work in scales, chords, and theory. My philosophy is based on the principle that at some point, each student will stop having lessons - and at this point, I want to make sure they have the skills to engage with making music on some level for the rest of their lives.
A good music teacher is part-football coach, part-psychologist, part-mentor, and part-police officer.
My style includes a strong element of Socratic dialogue, which pushes students to fully comprehend (rather than parroting) the material; combined with an analogical approach that utilises storytelling and imagery to help students understand difficult and abstract concepts.
Importantly: I don’t claim to have developed any brand-new philosophy or pedagogical method to teaching: I simply use the methods taught to me from various schools of learning across pre-university, undergraduate, and postgraduate studies at the Royal Academy of Music, London, and combine this with two decades of teaching experience. Why reinvent the wheel, when you can simply improve it?
I keep my teaching studio relatively small, with a maximum of 24 individual students at any one time. Rather than taking a quantity approach, this ensures I have enough energy to deliver the best quality to my students.
It’s not about teaching the music - that’s easy. It’s about developing the person making it.
Learning piano is more than simply playing an instrument: we learn problem solving, how work equals reward, the value of perseverance and overcoming challenges, and developing work ethic. For many of my existing students, their parents have often noted that these are the most valuable elements their child gets from our lessons - the piano skills are just a lucky bonus!
In a world seemingly obsessed with digital experiences and never-ending consumption, people are searching for relief in the form of analogue creativity. Learning something physical, that requires dedication and a slow-dopamine success response, something that gives the student a feeling of having made something, is becoming ever-more-valuable in our current era.
Before the Covid-19 pandemic, the ratio of children to adult students was around 80% children, 20% adult. The ratio since 2020 has been around 35% children, and 65% adults. Learning the piano is akin to training for a marathon, but with the added benefit of sounding nice!
Whilst I originally focused on young-learners, I’ve come to realise that teaching adults gives a remarkably strong sense of satisfaction for the teacher, as you feel that you’re positively contributing to someone making their life better. It requires dedication, patience, and time - currency not readily available always to us adults - but the potential for positive influence in your week is real and truly valuable. Will you become a concert pianist? Probably not. Will you give yourself the gift of learning and the valuable experience of being bad at something, but getting better? Absolutely.
All the below are quotes taken from parents of previous students (taken from responses to the messages sent when I had to leave London unexpectedly in 2016). For more up-to-date references, don’t hesitate to get in contact and I can put you in touch with any of my current students for feedback.
"We are so sorry that you will not be coming back as Maria, even though she never said much, loved you teaching her. I wish you the best of luck in Berlin and would love any recommendations of teachers for Maria - though I am sure they will not be even half as good as you were... to be honest you were her favourite teacher by far."
"Jacob and Lucy are gutted and will miss you. They've already said they refuse to have another teacher because no one will be as fun as you."
(one month later)
"New teacher is fine but they don't like her as much as you."
"Oh no Chris that is terrible news... Bella will be so disappointed. You have been an amazing teacher to her and she will really miss you... please do send us details of other teachers you recommend. Though no one else will of course match up!"
"Aryan will truly miss having you as his teacher... I would very much appreciate some teacher recommendations. Although you will certainly be hard to replace!"
"Both George and I will miss you. Certainly any suggestions of teachers as fun to work with as you would be gratefully appreciated."
"Hi Chris, oh no what a shame! The children were really looking forward to seeing you back!"
"Oh Chris... am devastated. No no, can the parents write in? Can you appeal? I can write a strong letter for you. We can't lose you... this is incredibly sad, we looked on you as almost family. Thank you [for replacement options]. Won't make up for you though... we will all miss you."
"Oh Chris!!! How sad, it's such a blow to hear of this result.... yes please if you could recommend tutors, although I am sure they won't be a patch on you! Thank you for getting her started and firing her interest in the instrument... I told Marnie what's going on and she's suggested maybe we come to Berlin [from London] for a couple of lessons!!!"
Extremely skilled and highly-qualified classical pianist, Lucia trained at the Royal Academy of Music, London and completed postgraduate studies in piano performance in I.S.S.M. “F. Vittadini'“ in Pavia, Italy.
Lucia offers lessons throughout Berlin (also at your home), with the added bonus of fluency in English, Italian, and Spanish.
Contact: lucia.evelyn.brighenti@gmail.com
Manuela (young adult)
”Lucia is the perfect teacher, that’s it! She’s an excellent musician able to convey instruction smartly and efficiently. She’s gentle and lovely and I’m more than happy about the direction I’m taking with her guidance. If you’re committed she will take you far. Totally recommended!”
Maria (adult)
”Lucia is very well prepared and a very good teacher. She is also a very pleasant and patient person. Her explanations are invaluable and a great help for individual study. She is helping me a lot to resume studying the piano with enthusiasm. I couldn't have asked/found better. Super recommended.”
Andrea (adult)
”After two years of lessons with Lucia, I can only confirm her great professionalism and competence, as well as her helpfulness and kindness. I couldn't find a better teacher.”
Stefania (mother of 7 year old student)
”Lucia is a competent and passionate teacher. She is very sweet and has an excellent influence on the children. I highly recommend her.”
1hr: 78€ (without VAT - no VAT is charged)
45m: 56€ (as above)
30m: 44€ (as above)